New Orleans Carnival
Mardi Gras 2016 was fantastic, it was exciting, it was downright thrilling at times. Of course, I’m a Mardi Gras freak. It was a very short season, ending on February 9. Next year, Fat Tuesday is more than 2 1/2 weeks later.
I want to thank my sweet girlfriend Sue and my good friend Billy, both Mardi Gras freaks without whom the entire season wouldn’t have been nearly as much fun. Billy lives a block from St. Charles Avenue so his house was parade central and I went to virtually all my parades with Sue.
The season began for me with my own Krewe du Vieux, which rolled January 23. It was a terrific parade and the ball was fantastic, with none other than Texas guitar legend and ZZ Top front man Billy Gibbons on guitar and vocals along with Walter Wolfman Washington and George Porter, Jr. The ball was held in the Civic and it’s a pretty nice party forum compared to some of the more sorry auditoriums KdV has used in their recent past.
I caught a couple of newish throws, the Thoth Fedora and the NYX Earbuds.
When Fat Tuesday was only a couple of hours past sunrise, I was on Jackson Avenue below Dryades for Zulu. I was wearing my purple, green and gold silk scarf, my purple reversible satin cape from amazingcapes.com, my gold half mask, and my newly acquired Mardi Gras furry leggings. I bought the leggings Fat Tuesday morning on the Zulu parade route from a shopping cart vendor.
Bands play a big role in parades, the best bands generally are from local high school and surrounding colleges. Out of town bands perform in many parades toward the end of each season, as local high schools are limited to seven parades per season. Bands have been part of Mardi Gras processions and parades since the very beginning. Bands cost the krewes a lot more money post Katrina. Before the storm, parade band fees ran $1,000-$1,500 per parade. After Katrina, the bands ask for and get $3,500 or more. Bands are in demand for more than one reason. They add the beat and the funk, essential elements of parades. The New Orleans City Council has mandated that all Orleans parish parades have 7 bands. My own Krewe du Vieux has around 20 brass bands participate in the parade.
Year after year, the best high school band is the St. Augustine Marching 100, and the best college band is the Southern University Jaguar Band. Other notable bands in 2016 include the Landry Walker High School Band and the Texas Southern Ocean of Soul.
Some of the best looking floats all year were in the Proteus parade. Royal Artists create this parade, and it’s the best work they do by far.
I ended up in the French Quarter at Molly’s at the Market on Decatur around noon Fat Tuesday, to meet the Perv Patrol, my girlfriend’s Sue’s themed costume group. It was the first time in decades I missed REX which was my choice after deciding to see all of ZULU for the first time in as long. ZULU had a long break near the beginning that was over 30 minutes long and set the parade back big time. We ran into the Krewe of Cosmic Debris which had come down Decatur Street just as I arrived. Molly’s is one of their stops so I had a really hard time getting a drink when the krewe invaded the bar. I went down the street to an adjacent bar and bought a double and returned to Molly’s.
Orleans Parish Councilwoman LaToya Cantrell, District B is leading this effort to tighten up some Carnival rules. Some make sense like ending parking on the opposite side of St Charles during parades. I didn’t see the toilet paper ban coming by any means, I thought the City Council was busy with the city’s business and the upcoming election. Wrong!
The Krewe of Tucks has already spent tens of thousands of dollars printing this year’s toilet tissue, and is shocked the ban is still part of the proposed ordinance.
The throw is made in America, unlike beads which are extruded in China in gulag type factories. Toilet paper disappears during the first hard rain, unlike beads which last for years. But as fast as this the toilet paper ban was presented by Cantrell it was withdrawn by Cantrell as the ruckus over this harebrained idea grew.
Tucks is known for several throws but their icon throw is their toilet paper roll. Each sheet has the Tucks logo printed on it. It’s not exactly on a par with the Zulu coconut, but it’s pretty high up there on the short list of icon throws along with Muses’ decorated shoe.
I spoke to some Uptown New Orleanians who don’t like St. Charles Avenue after Carnival with all the toilet paper on the majestic oak trees. Personally, I find the temporary effect surreal.
Picked this up from the Louisiana Record.
The Simpson‘s voice superstar, who participated in the 2012 Bacchus parade, is suing the disc jockey hired to provide music on the float after allegedly sustaining injury to his hearing following the parade ride.
Harry Shearer filed a lawsuit against Rock-It Productions Inc., Global Indemnity Group Inc. and Penn-America Insurance Co. in the Orleans Parish Central District Court on Feb. 13.
Shearer claims that he was unable to move from his assigned position on the Bacchawhoppa float in the Bacchus parade after being strapped in behind a loudspeaker. He claims he was diagnosed with a case of tinnitus due to the defendant’s negligence and refusal to lower the volume or supply ear plugs.
Shearer is best known for his voice work on the popular cartoon series The Simpsons, but also has an extensive background in film and hosts Le Show, a weekly radio show broadcast on NPR affiliate stations throughout the country.
The defendant is accused of failing to provide any type of ear protection to the plaintiff and other float riders, failing to provide an alternative position on the float so as not to be in direct contact with the loud speakers and failing to take corrective action when asked multiple times by plaintiff prior to plaintiff’s injury. An unspecified amount is sought for medical expenses, loss earnings, physical and mental pain and disability.
Shearer is represented by Andrew S. de Klerk of New Orleans-based Frilot LLC. This case has been assigned to Division L Judge Kern A. Reese.
Bacchus is a super krewe of the New Orleans Mardi Gras. They march down St. Charles Avenue the Sunday evening before Fat Tuesday with an extraordinary parade with icon New Orleans Carnival floats such as the Bacchasaurus, Bacchagator, Bacchawhopper, Baccha-Amore and others. They were the original super krewe parade (1968), and they have been emulated heavily by Orpheus, Endymion
Shearer co-created, co-wrote and co-starred in the 1984 film This Is Spinal Tap, a satirical rockumentary about a band called Spinal Tap. Shearer portrayed Derek Smalls, the bassist, and Michael McKean and Christopher Guest played the other two members. The film became a cult hit and the band has since released several albums and played several concerts. Spinal Tap was a rock band that played loud rock music, and many rock musicians have ear problems that plague them for decades.
Politics has reared its ugly head upon the pristine party pastures of the New Orleans Mardi Gras.
I’m trying to figure out who is the bad guy in this story, and I’m fairly sure, though not 100% positive, that Arthur Hardy is the bad guy. It’s a confusing set of facts, however, so I’m going to try to sort things out.
A rumor was started that the Krewe of Zeus had canceled their Metairie parade. WWL and WDSU TV both reported that Zeus canceled. Once an innuendo gets launched, it helps to have two major networks carry your fake story. This makes the false tale seem real, since your trusted newscaster told you. WDSU revised their story and stated that Hardy gave them this information.
According to the Krewe of Zeus, they haven’t canceled, and plan to parade on Lundi Gras right after the brand new Hera, the newest parade, and one that is affiliated with Zeus.
Next, Zeus’ logistics officer, Brian Landry, denied the cancellation reports and blamed Hardy on his Facebook page. Landry wrote, Latest reports name the unnamed source on the false reports as none other than…Arthur Hardy!! I knew there would be a backlash when we opted out of an ad in his magazine.
Here’s where politics intrudes itself into the Jefferson Parish Carnival scene. Parish Council Chairman Chris Roberts blamed his own Carnival coordinator, Scott Burke, for the discredited report of the Zeus parade cancelling.
In faulting Burke, Roberts refocused attention on the degrading relationship between council members and Parish President John Young’s administration. Roberts and Young don’t see eye to eye on this or many other issues.
Hardy has responded, claiming he did not say Zeus was cancelling.
Here come the most incredible draft horses in the world, the fabulous Budweiser Clydesdales hitch, six huge Clydesdales at a time, pulling an old time beer distributors truck on St. Charles Avenue and Canal Street.
The Clydesdale is a breed of draught horse derived from the farm horses of Clydesdale, Scotland, and named after that region. Although originally one of the smaller breeds of draught horses, it is now a tall breed. Often bay in colour, they show significant white markings due to the presence of sabino genetics. The breed was originally used for agriculture and haulage, and is still used for draught purposes today. The Budweiser Clydesdales are some of the most famous Clydesdales, and other famous members of the breed are used as drum horses by the British Household Cavalry. They have also been used to create and improve other draught breeds.
01/26: Krewe of Pontchartrain – Drive New Orleans, LA
01/27: Krewe of Alla – Drive New Orleans, LA
01/29: Mardi Gras-Single Horse – Drive New Orleans, LA
01/30: Mardi Gras-Single Horse – Drive New Orleans, LA
02/01: Krewe of Metairie – New Orleans, LA
02/02: Krewe of Olympia – New Orleans, LA
02/06-01/07: Mardi Gras-Single Horse – New Orleans, LA
02/08: Krewe of d’Etat – New Orleans, LA
02/09: Krewe of Endymion – New Orleans, LA
02/10: Krewe of Bacchus – New Orleans, LA
02/12: Krewe of Argus – New Orleans, LA
The breed was developed from Flemish stallions imported to Scotland and crossed with local mares. The first recorded use of the name “Clydesdale” for the breed was in 1826, and by 1830 a system of hiring stallions had begun that resulted in the spread of Clydesdale horses throughout Scotland and into northern England. The first breed registry was formed in 1877. In the late 19th and early 20th centuries, thousands of Clydesdales were exported from Scotland and sent throughout the world, including to Australia and New Zealand, where they became known as “the breed that built Australia”. However, during World War I population numbers began to decline due to increasing mechanization and war conscription. This decline continued, and by the 1970s, the Rare Breeds Survival Trust considered the breed vulnerable to extinction. Population numbers have increased slightly in the intervening time, but they are still thought to be vulnerable.