The first family of Mardi Gras, the people responsible for building REX, Bacchus, Endymion, Orpheus, Caesar, Zulu and many more Mardi Gras parades, have ended their family feud. When you sue your octogenarian father, you create a rift that’s hard to close, but apparently the Kern family have overcome their differences.
We are all happy to have it behind us and just kind of move forward and do what we do best, and that’s build floats and create Mardi Gras, Barry Kern said. Blaine Kern, Sr, the patriarch of the Kern clan, agreed to a corporate succession plan with his son of Blaine Kern Artists Inc at New Orleans Civil District Court last week. The senior Kern sold his 50.1 percent in the company to his son Barry. Blaine received a lifetime consulting contract with the firm.
Where is Blaine Kern, Jr? Blaine’s other son is no where to be found in this story. After meeting with the judge, Barry and Blaine, along with their wives and Barry’s sons Fitz and Andrew, all went out to lunch together. No sign of Blaine, Jr. or his family. Hmmm….
I’m elated this half a decade old sad story has a happy ending. The patriarch is satisfied as he got paid by his son for his company so he can ‘retire’ in comfort. He’s 88, and mostly wants to spend time with his wife Holly and burnish his Mr. Mardi Gras brand.
I’ve also said before, the reason this whole court debacle occurred is because Pixie Naquin isn’t there to smooth over the hurt feelings for the sake of family unity. She was the founder’s executive secretary almost since he started out in business, and she never let past serious family disputes end up on court. She was the cat’s meow for Kern Enterprises, there’s absolutely no doubt about that.
Judge Kern Reese’s consent judgement accomplishes several things- the court retains jurisdiction for two years over any future problems, all lawsuits filed by both parties are dismissed, and Reese’s 2012 injunction giving Barry Kern control of the company is terminated.
It’s a fairly mild piece of legislation. For example, all ladders, regardless of height, now must be 6 feet from the street. This uniformity makes it easier for the police to monitor.
If you throw beads back at krewe members you will be fined $250 now. Some issues haven’t been decided yet. The toilet paper throw is back on the table with a different emphasis. Now, the unwrapped rolls are a ‘sanitation’ issue. That is a bull crap claim. I don’t think the vast majority of parade goers who catch a roll of paper actually use it. If they do, it better be clean. If it fell in the dirt or the mud it becomes garbage. The roll in the picture below has an outer wrap, keeping it hygienic.
If you place your private portable potty on public grounds, the company that rented you the unit will owe $250 to the City of New Orleans. That should cut down on the practice.
“Snap Pops” are now banned from Orleans Parish parade routes. The rationale here is the noise they create might scare horses. That’s not very true. Horses and mules that walk the parade route are very seasoned concerning loud noises. They have to be- parade routes are full of noise, from police sirens to marching bands with lots of trumpets and drums. I march with Krewe du Vieux, and the donkeys that pull our floats are approached by all sorts of parade watchers and loud noise dominates our parade. The donkeys behave beautifully throughout the entire route.
Also new this year- car riders can no longer perch themselves on the exterior of any auto. I guess the council considers this practice too dangerous? If you have a convertible, you are still allowed to have a single rider on the back of the open air car.
For 2014, you cannot set up a bbq in an intersection while the parade rolls. This makes some sense, since it’s hard to move a lit bbq for an emergency vehicle. Lots and lots of ladders are still allowed to set up in intersections. They can be moved rather quickly, but a lot of ladders would take a few minutes to move.
The Mohawk Hunters from Algiers came to Orleans Parish Prison to show inmates how to sew patches for Mardi Gras Indian outfits. It is rare for a story for one of my two blogs to be appropriate for the other, but that is the case here. For me at least, that is cause for a small celebration.
Central to this story is the Alternative Learning Institute (ALI) and Tyrone Casby, principal of ALI and Big Chief of the Mohawk Hunters. The project is the Mohawk Hunters Cultural Journey and they brought a message of transformation from violence to pride. In the past, a culture of violence permeated the Mardi Gras Indian culture. Over time, feelings of pride in their sewing efforts and attaining proficiency in their craft replaced the violence.
Roughly 42 inmates took part in the program. Each participant worked and completed their own patch. The address I found on Google maps for 3000 Perdido St., New Orleans, LA 70119 is Orleans Parish Prison and that’s the address for ALI.
The Mohawk Hunters Mardi Gras Indians at Algiers RiverFest.
Sheriff Marlin Gusman praised the work of Casby and the Orleans Parish School Board for its funding of the Alternative Learning Institute and the many people necessary to provide the courses and other programs to inmates who choose to sign up.
Picked this up from the Louisiana Record.
The Simpson‘s voice superstar, who participated in the 2012 Bacchus parade, is suing the disc jockey hired to provide music on the float after allegedly sustaining injury to his hearing following the parade ride.
Harry Shearer filed a lawsuit against Rock-It Productions Inc., Global Indemnity Group Inc. and Penn-America Insurance Co. in the Orleans Parish Central District Court on Feb. 13.
Shearer claims that he was unable to move from his assigned position on the Bacchawhoppa float in the Bacchus parade after being strapped in behind a loudspeaker. He claims he was diagnosed with a case of tinnitus due to the defendant’s negligence and refusal to lower the volume or supply ear plugs.
Shearer is best known for his voice work on the popular cartoon series The Simpsons, but also has an extensive background in film and hosts Le Show, a weekly radio show broadcast on NPR affiliate stations throughout the country.
The defendant is accused of failing to provide any type of ear protection to the plaintiff and other float riders, failing to provide an alternative position on the float so as not to be in direct contact with the loud speakers and failing to take corrective action when asked multiple times by plaintiff prior to plaintiff’s injury. An unspecified amount is sought for medical expenses, loss earnings, physical and mental pain and disability.
Shearer is represented by Andrew S. de Klerk of New Orleans-based Frilot LLC. This case has been assigned to Division L Judge Kern A. Reese.
Bacchus is a super krewe of the New Orleans Mardi Gras. They march down St. Charles Avenue the Sunday evening before Fat Tuesday with an extraordinary parade with icon New Orleans Carnival floats such as the Bacchasaurus, Bacchagator, Bacchawhopper, Baccha-Amore and others. They were the original super krewe parade (1968), and they have been emulated heavily by Orpheus, Endymion
Shearer co-created, co-wrote and co-starred in the 1984 film This Is Spinal Tap, a satirical rockumentary about a band called Spinal Tap. Shearer portrayed Derek Smalls, the bassist, and Michael McKean and Christopher Guest played the other two members. The film became a cult hit and the band has since released several albums and played several concerts. Spinal Tap was a rock band that played loud rock music, and many rock musicians have ear problems that plague them for decades.
There is no competition when Muses hits St. Charles Avenue, in terms of original throws. There are a couple of different reasons for Muses’ unique throws. One the one hand they control all throws all members can toss. The krewe is rather large, at least 1,100 women.
On the other hand, they make the maximum amount of money on very expensive throws with small margins. The public benefits from these factors.
In 2013, I saw very few decorated shoes coming off the floats this year. Contrast this with my experience at the Zulu parade on Jackson Avenue. When the double deck floats arrived, I personally caught 5 coconuts in 10 minutes, then had to leave to make it to REX on time. If I had stuck around I would have caught a dozen coconuts from these double decker floats. Granted my costume was extensive for Zulu but for Muses I had my masculinity going for me.
Muses handed me lots of cool throws, I caught a powerful ring flashlight;a light up shopping bag medallion; a magnetic shopping list with pad and special marker; a reusable shopping bag, a collapsible flask with caribener; a heavy duty guide to the Makin’ Grocery floats that could double as a picnic blanket; shoe laces in a cool plastic test tube; koozies; kazoos; shoe bracelets; lariats; other medallions; shoe beads; coin purses, etc. It seemed relatively endless in terms of the variety of Muses stuff thrown off the floats.
This makes Muses a very high priced parade to ride in. I assume the dues is far less than the throws. By a wide margin. Again the public benefits from the wild variety of throws Muses throws.
Muses seems to pull marching organizations out of the wood work. No parade on St. Charles Avenue has more. They include the Pussyfooters; the Krewe of the Rolling Elvi;the 610 Stompers; the Camel Toe Lady Steppers; Disco Amigos; the Dead Rock Stars, and many more.