Posts tagged 2009 Carnival
Carnival 2009 was noteworthy in some respects. For example, the only cold weather of the season occurred during the second Carnival weekend, not the first weekend. 2009 was the 100th anniversary of the Zulu organization, and was also the 50th anniversary of the Mardi Gras Doubloon, an anodized aluminum ‘coin’ that had the krewe logo on one side and the parade theme on the other. Rex was the first krewe to throw doubloons 50 years ago. The doubloon also changed the economics of krewes- it was the first throw that the krewe could sell to its members for a small profit, thereby adding a important revenue source for all krewes. 2009 was the year that electric light up beads became almost commonplace.
ORLEANS PARISH PARADE SUMMARY
Krewe du Vieux: KdV was big, brash, and more biting than anyone else (rated M for mature) in its satire. The floats are mule drawn, and they have more brass bands than anyone else- seventeen in 2009. They are the only krewe to march in the French Quarter and Faubourg Marigny. KdV is the only adult themed krewe to march down the streets of New Orleans. I love KdV but I’m partial because I am in KdV.
Oshun, Pygmalion and Ponchartain are small parades, but the first of the season to travel down St. Charles Avenue, and therefore very very welcome. Ponchartrain used to parade in the Lakeview area. I’ve always loved their giant crawfish float. Sparta looked different this year. They had bigger floats and didn’t look as historic as in the past. Sparta is the first krewe each season to use traditional kerosene fueled flambeaux. Pegasus is an open krewe that allows the public to join the krewe, ride in the parade, and attend krewe events and parties. Carrollton and King Arthur on the first Sunday are the only parades down St. Charles Avenue that day making it a very short weekend parade day.
Babylon is the fully traditional parade of the season, and they were celebrating their 70th anniversary in 2009. Babylon has the look and feel of an old fashioned parade from a century ago. Many of their paper mache floats ride on wood wagon chassis and wooden wagon wheels and they utilize the original flambeaux made for Rex and Comus a long time ago.
Muses, an all-female krewe, was simply the best parade of the season for a number of reasons:their huge advantage in the type and variety of their throws, their emphasis on the woman’s shoe as krewe emblem, and their far out marching groups like the Rolling Elvi, the Camel Toed Lady Steppers, Pussyfooters, and Bearded Oysters. A great article on the groups can be found in Where Y’at Magazine’s web site here . Muses has established their hand decorated woman’s shoe throw on a level that approaches the Zulu coconut.
Chaos utilized a relatively new kerosene flambeaux that are not part of the original set made for the old krewes in the late 1800s. The older krewes wouldn’t allow newer krewes to use their original flambeaux, so an ingenious and crafty krewe Captain studied the original flambeaux and created very close copies that work similarly but apparently don’t violate any patent. Chaos was the first parade this season whose floats were made by Royal Artists, who make the some of the best traditional paper mache floats in all of Mardi Gras. Check out Royal Artists’ web site here . Hermes was the first parade on a three parade night, and the floats were made by Royal Artists, giving the parade a traditional paper mache look. Hermes utilizes the older flambeaux. D’Etat goes all out to promote their parade, putting up two different fliers on poles throughout the parade route. D’Etat was one of the very first krewes to toss large numbers of light up beads, one of the biggest trends in Carnival throws. E’tat had a really good looking 3-D krewe cup, the only 3-D cup that I saw all parade season. The 3-D cup uses lenticular technology. Morpheus also used the longer route, following D’Etat. Morpheus is only 8 years old, but they have a traditional look to them. The painting on Morpheus’ floats was different than the other krewes, and I found the style simple but pleasing.
2nd Weekend Parades:
Iris is the oldest of the two all-female parading krewes, Muses being the other. Iris favors children with their throws. Tucks was formed by Loyola college students a few decades ago, and have kept their irreverent attitude. Their unique toilet float has been updated into the King’s float, keeping the porcelain fixture intact.
One of the reasons I love Tucks is because I had my own float in Tucks for three years, at a time when Tucks solicited for floats to augment their parade.
Endymion is the biggest of all ‘super krewes’ with over 2,000 riders. Kid Rock was their celebrity king, and before the parade, at the big Endymion block party, Kid Rock reprised his big summer hit, Sweet Home Alabama before a huge crowd. Endymion has the most riders, the biggest floats, the most throws, terrific bands, and the biggest crowds. Endymion began as a neighborhood parade in 1966, and morphed into a super krewe in 1974. They utilize a third type of flambeaux, a propane version.The original flambeaux design burns kerosene, and the system has always leaked. The kerosene is stored in a tank above the head of the flambeaux and gravity carries it down to the burners. I’m not sure who owns these.Okeanos celebrated their 60th anniversary this year. New this year, several krewes that historically started on Napoleon Avenue began their routes at Jefferson and Magazine Streets. Okeanos was the first to try out the route addition. Mid-City was the first parade to use colored foil to decorate their floats, and when the sun is shining, Mid-City’s floats look superlative. Mid-City has an old tradition, the “Greatest Bands in Dixie” contest for the bands that participate in the parade.
Thoth has their own extra long route uptown, as they parade past hospitals and retirement homes. Thoth looked better than usual. In the past they rented their floats from Hermes, and many times, their floats didn’t match the float titles. This year, they had better looking floats that weren’t Hermes.
Bacchus, the original super krewe, was formed in 1968 as a super krewe. To our eyes, Bacchus looked a little smaller in 2009. Bacchus was the first krewe to have a celebrity king each year, and they originated the huge super floats that contain dozens and dozens of riders. Today, there are 4 super krewes in New Orleans- Bacchus, Endymion, Rex, and Orpheus. On the West Bank, Alla qualifies as a super krewe, and in Metairie, Caesar does.
Monday Night Parades:
Proteus began parading in 1881. They use the old wooden wagon chassis and wagon wheels, and the traditional flambeaux they started with over a century ago. I caught a light up seahorse medallion at the parade this year. Proteus is a good looking, traditional paper mache parade built by Royal Artists. The only two parading krewes from the 1800s now are Proteus and Rex. Comus, who began parading in 1857, and Momus, who started in 1872, stopped parading in 1992 after the New Orleans City Council, led by Dorothy Mae Taylor, passed an anti-discrimination ordinance. Proteus stopped parading at this time, but resumed parading in their old Monday night slot in 2000. Orpheus, the super krewe founded by singer/actor Harry Connick, Jr., looked a little less super in 2009. For one thing, after the first few floats, the bands ran out. Super Krewes find enough bands no matter what. While many of their floats were giant, gorgeous creations, many others were ordinary.
Mardi Gras Day Parades:
Zulu celebrated their 100th anniversary in 2009, and to celebrate, their parade, perennially late, was actually early! That is a really big deal for Zulu. I received 5 coconuts after 1/2 of Zulu, which is more than I’ve ever received in over 30 Zulu parades. Today’s Zulu coconuts are improved, 4 of the 5 coconuts I received had the milk and meat removed. If you leave the milk and meat, the coconut often rots. Zulu led off their parade with the Edna Karr High School Band, which was a big switch. Historically, Karr hasn’t been known for leading off Zulu, but in this post-Katrina New Orleans, anything can happen. Rex, King of Carnival, was the first krewe to throw doubloons 50 years ago. Legend has it that Alvin Sharpe, inventor of the Mardi Gras Doubloon, proved the doubloon were safe enough to throw from the floats by tossing a handful at the Rex Captain’s face. When he was unhurt, the doubloon was launched into Mardi Gras throw history. The organization that puts on the Rex parade in called the School of Design. The line of throws thrown by Rex increased in recent years. Historically, Rex threw one type of medallion. This year, they had numerous varieties of logo beads, and two sizes of plush Boeuf Gras. In 2009, Rex didn’t look quite as royal as the King of Carnival should. They too suffered from a bad float/band ratio. Yes, it’s the end of Carnival, but Rex has surmounted this problem before, and I’m surprised and disappointed that they couldn’t obtain even close to enough bands. On St. Charles Avenue a few blocks from Napoleon Avenue, the crowd was lighter than usual. The crowd over the weekend on Bacchus Sunday was noticeably bigger. Yet there is no parade like Rex. They alone have the Boeuf Gras and Jester floats. These floats, along with the Rex King’s float, are the symbols of Carnival in New Orleans the world over.